Sculpting a 1/5 scale WWII British Pilot
Read more: http://www.rcuniverse.com/forum/m_10...#ixzz1C4DttE83
HINT!!!!!! HINT!!!!!! HINT!!!!!!! HINT!!!!!!!
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Hands are tough! Hands are very expressive. When sculpting them, I sometimes become expressive as well, however the forum etiquette prevents me from recording my “expressions”!
There is just a lot going on in hands, they are small, several protrusions, and they can easily look wrong. My method is to keep carving away until nothing looks weird. Gloves make the job a little easier, because the bulk removes some of the subtlety, but also add more detail. Hopefully, when done sculpting the gloves, they look like hands are in them! So hands are a challenge. But when complete, they compliment the whole piece. Here is the left hand so far. I couldn’t find reference for what kind of gloves Sailor wore, so I chose the large “gauntlet” type. I like the color and they look like they would do the job very well.
Thanks again everyone for the compliments and encouragement! Yes, I did go to art school at Missouri State University. My degree was in Graphic Design with emphasis towards illustration so I only took a couple of classes in sculpture. I also studied a semester in London on a transfer scholarship. I then became a designer, then moved into management and a couple of years ago, through the Great Recession, moved into the unemployment line! While unemployed, I finished up a Ziroli B-25 my dad had built and couldn’t find pilots for it. For fun, I always created or painted pilots for our planes. With time on my hands, I sculpted my own bomber pilots. When people were more interested in the pilot figures than the plane, I thought I might be on to something with these pilots.
I look back at my college days and remember the dean of the art department told me that although I was a good designer, my talents really soared in sculpture. I thought at the time there was no way to make a living sculpting. Funny how things go. I guess I should have listened to the Dean!
Here are some shots of some paintings I’ve done and the B-25 that started the pilot business.Moggy - Oh yes, Sailor will be on the market for you Spitfire Maniacs. Which, by the way, I totally understand being. The Spitfire is quite simply the most beautiful aircraft ever made. To see one fly is stunning, model or the real thing.
Sailor is checking out his new hands. It is always a mystery when a sculpt starts as to what pose the hands will take. I knew that if he is a British pilot, there is a very, very good chance he will be holding the unique “split stick” control column of the Spitfire and Hurricane. I read that their cockpits were so small that the geometry was a problem for the control column to get full travel for roll control. This was solved by making the control column rotate at about mid-stick instead of from the the floor. Genius! For elevator control, back and forth, the sticks rotation point was at the floor. American pilots said it took a little to get used to, but felt natural after a bit.
With this type of stick, Sailor will have a bit unique grip for the control column. The only way to figure out if grip is natural looking, was to fashion a circular grip, 1/5 scale, and see how that will work. I know my customers will have complete cockpits, so I want Sailor to plop right into position with his hand able to slip onto the control column. With some major “persuasion” of the right arm to get the anatomy correct (notice were the arm has separated from the torso, no big deal just a little fix), it looks like this configuration will work. I won’t cast the split control stick permanently in Sailor’s hand. With the variable “scale” of some kits it may be off a bit and some customers may want to put him in a plane that didn’t have that distinctive type of stick. If the control column isn’t a ring type-grip, it will look like he is getting ready to grip it.I didn't notice the pilot in the cover, thanks for pointing that out. I'm glad I picked up Pappy and Bob from you, I can't wait to get Sailor when he's finished. I'm also pleased that you molded the head separate from the body. I've just added Pappy into my Corsair and having the separate head made it easy to do this:
http://www.youtube.com/watch?v=vxzGRSGy_jU
Cheers!
Lyle,
I didn't notice the pilot in the cover, thanks for pointing that out. I'm glad I picked up Pappy and Bob from you, I can't wait to get Sailor when he's finished. I'm also pleased that you molded the head separate from the body. I've just added Pappy into my Corsair and having the separate head made it easy to do this:
http://www.youtube.com/watch?v=vxzGRSGy_jU
Cheers!
Wow to cool ! now ya gotta tell ! how'd ya do it ?
I used a 2-56 thread rod epoxied into his head, then ran that through a carbon tube in his body down through the floor. The rod was nice to hold while painting the head too.
I just ran the carbon tube down below the floor far enough to clear the pull-pull cables. On the thread rod I added a nylon control arm and connected it to a mini servo slaved off the aileron channel.
I did need to sand a little around the base of his neck as well as inside his collar to allow the head to turn. Also the carbon tube extends a fraction above the body so the head pivots on the carbon tube and not on the body.
I'll see if I can post a pic or two this week.
This weekend was the big push to complete the head. I wanted the head complete, and hardened so that I can finally finish out the area that the head/neck is going to mount onto the torso. I think the last 10% of finishing a piece takes about 75% of the work! It essentially amounts to “polishing” and refining edges, dents and dings. The Sculpey clay is not very firm so things can and do distort, so that has to be fixed. I really like the wires that extend out of the headphones. Since this is eventually going to be cast from a mold, you can’t leave undercuts. Anything like a wire or tube structure, can not have space behind it. It has to extend to the neck. The trick is to do this and still have the structure look “natural”. I think I did that. Here are the shots all the way around the head after the clay was hardened in the oven.
your sculpting prowess puts Michelangelo to shame !
Are you taking pre-orders for "Sailor" and have you worked out an approx cost ?
cheers
Alan
This weekend was a marathon session to get the torso in shape and close to finished. I discovered that I kind of got ahead of myself in some places - like icing the cake before its baked - so some detail had to be deleted to make sure the underlying structure made sense. I redid the scarf and added cloth texture to that. And then on to the safety belts. Wow! Those take time. They have to symmetrical, consistent size and depth...and then there is the stitching. Overall, I am pleased with the result. I really like the bundled safety belts on the shoulders. The break away tape that wrapped around the belt looks very convincing.