Also important from a photographer's perspective is the room lighting. The first photo shows the normal room like from a typical Japanese circular overhead fluorescent light. The second was taken with this light angled towards the model (and I could do this with some strings and hooks). The third shows the light bounced off the right hand wall. And the four photo shows light bounced off the left hand wall. This looks ok, but it's all a bit harsher than I'd ideally like. In my main work area I hung a large sheet of white/translucent coroplast below the lights which acts as a large soft box. Also the light in the "light workshop" would be coming from behind me, which is not ideal.