Freestyle music
#2
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If you want to do your own, go to www.download.com where you can find some freeware basic music editing software. I used a program to put a few songs together for a freestyle routine.
#4
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From: Paris, FRANCE
Get Audacity
http://audacity.sourceforge.net/
definitely the best free software to mix freestyle music.
Used by many Artistic Aerobatics pilots
http://audacity.sourceforge.net/
definitely the best free software to mix freestyle music.
Used by many Artistic Aerobatics pilots
#5

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From: Hertfordshire, UNITED KINGDOM
Yes, Audacity is pretty solid and easy to use. I use ProTools which is a little more flexible, but very costly. I used it when I mixed some music for the TOC. I think the secret of good freestyle (lets call it AA) music is the CHOICE of track and the different pace that you create both with the music and the plane. When you get down to it, it can make or break your performance, no matter how technical or extreme you fly.
#6
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From: Paris, FRANCE
I use ProTools which is a little more flexible, but very costly.
If you wanna buy, CoolEdit 2000 is the best choice for PC, just include the Studio plugin (provides multitrack) and you're set for less than 100 bucks
#7
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From: Paris, FRANCE
do you know of any websites (I have the AA site) where we can download some freestyle music?
#8

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From: Hertfordshire, UNITED KINGDOM
Thats right, however we are working on the copyright issue for performance at AA events. No, ProTools is Mac and PC, it is a standard in the industry for digital recording and mixing/editing. Its a great package, but perhaps not much use to most, Audacity is a good start anyway and CoolEdit is great too, I have heard of that one.
#9
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From: Paris, FRANCE
we are working on the copyright issue for performance at AA events.
#10

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From: Chesapeake, VA
Like the others, I made my own music. Although I used goldwave instead. www.goldwave.com
#11
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From: Paris, FRANCE
Like the others, I made my own music. Although I used goldwave instead. www.goldwave.com
http://www.syntrillium.com
Actually what we need (and what I use most) is the ability to cut & paste, mix tracks, fade and alter levels to reduce dynamics for best outdoor performance. Also switching from stereo to mono is a requisite when the music is played on a field with sometimes dozens of loudspeakers and over a line extending up to 1,000 feet.
#12

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From: Hertfordshire, UNITED KINGDOM
Well our issue would be with the performance of that music, and the copyright and royalty required for the public to hear it. Which means once you have created your masterpiece, you want it heard while you fly.
Getting the best from the speaker system is all about compression of the music, I have a few settings which allow for dynamic bass through to playing in a tin can... depends on what system is being used. Thes best you can hope for is a wedge speaker somewhere near you and the judges and little or no delay from the main set. I also have a mono and stereo version on my CD.
I don't think its an issue for many pilots what program they use, so long as for beginners it is simple and they can achive the first steps quickly and easily. You can spent nothing or thousands (hundreds of thousands for a Protools studio... its used in the film, video and audio industry).. its up to you. Thats a lot of models though...
Getting the best from the speaker system is all about compression of the music, I have a few settings which allow for dynamic bass through to playing in a tin can... depends on what system is being used. Thes best you can hope for is a wedge speaker somewhere near you and the judges and little or no delay from the main set. I also have a mono and stereo version on my CD.
I don't think its an issue for many pilots what program they use, so long as for beginners it is simple and they can achive the first steps quickly and easily. You can spent nothing or thousands (hundreds of thousands for a Protools studio... its used in the film, video and audio industry).. its up to you. Thats a lot of models though...
#13
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From: Paris, FRANCE
Well our issue would be with the performance of that music, and the copyright and royalty required for the public to hear it. Which means once you have created your masterpiece, you want it heard while you fly.
In your country this is handled by the Performing Right Society www.prs.co.uk, from what I heard last year a phone call may be enough to get all the details one needs. I know this is how the 3D Masters organizers did last year, they said that for a very modest fee they could play all the music they wanted all day long.
Of course this is irrelevant when you practice on your field without spectators.
#16
During what performance? In the 2000 TOC he used the theme song from the movie "Legends of the Fall" by James Horner. I think he may have used it in 2002 also, but I'm not sure. While we're on the subject, does anyone know what opera Christophe used to start his 2000/2002 freestyles? It kinda sounds Italian.



